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Use of service design methods for the development of physical or digital products. Utilize tools such as journey maps and personas. Explore user-centred and collaborative approaches to create services and experiences. Prerequisite: DES 494 or DES 401 or consent of the Department. Note: while not required, taking DES 395 before DES 595 is recommended.

Design issues in digital media. Emphasis on user experience, with focus on tools and development techniques to visualize UI/UX projects. Usability and accessibility. Experimenting with UX/UI tools and development techniques. Prerequisite DES 496. Prerequisite or corequisite: DES 593 or consent of the Department. Not open to students with credit in DES 595 prior to 2007.

Goal setting, creative collaboration, working in a team environment, project tracking, and administration. Brand management and identity application. Pre- or corequisite: DES 593 or DES 500 or consent of the Department.

Issues in the fields of theory, criticism, history, professional practice and social concerns. Restricted to Master of Design students. Prerequisite: Consent of Department.

Aperçu des différentes approches, considérations et défis dans la recherche. Les étudiants exploreront les outils et développeront les compétences nécessaires pour comprendre le jargon de la recherche, évaluer les recherches publiées, identifier les types de méthodes les mieux adaptées pour étudier différents types de problèmes et de questions, développer des questions de recherche basées sur une évaluation critique de la recherche existante, et concevoir une proposition de recherche et commencer les préparatifs initiaux d'un projet de recherche.

Études approfondies sur les différentes approches méthodologiques en recherche empirique dans les sciences fondamentales, humaines et sociales. Les étudiants seront exposés aux fondements théoriques de l'interdisciplinarité et de la transdisciplinarité comme méthodes d'analyse et de recherche. Les grands thèmes et concepts théoriques abordés seront l'occasion d'approfondir les discussions et de préparer les étudiants à définir leur propre problématique de recherche. Les étudiants seront invités à définir dans ce séminaire leur problématique de recherche et à illustrer leur choix par des exemples tirés de la société en fonction d'une approche inter ou transdisciplinaire.

Études dirigées se terminant avec un examen de synthèse écrit et une proposition de projet.

Introduction à l'histoire du développement durable comme concept, aux enjeux contemporains reliés au développement durable et aux diverses perspectives adoptées par les disciplines et professions en matière de développement durable. Note (s): Ce cours n'est pas accessible aux étudiants ayant ou postulant des crédits pour SUST 201.

Introduction au développement durable selon une perspective mondiale et en mettant l'accent sur les objectifs de développement durable (ODD) de l'Organisation des Nations Unies. Note: Ce cours n'est pas accessible aux étudiants ayant ou postulant des crédits pour SUST 202.

The Digital Humanities practicum is the capstone exercise by students in the course-based MA in Digital Humanities. It provides students with hands-on experience working on a large-scale digital project. Normally, this project will be led by faculty members in DH; permission to participate in projects outside of the program or the university will be evaluated on a case-by-case basis.

The origins and development of theatre art; introduction to theatre aesthetics. Requires payment of additional student instructional support fees. Refer to the Tuition and Fees page in the University Regulations section of the Calendar. Note: Not normally to be taken by BA Drama Majors or BA (Honors) Drama students.

Understanding of Drama through critical analysis of plays and its application to creative solutions in their production. Note: Not to be taken by BA Drama Majors, BA (Honors) Drama students, or BEd (Secondary) Drama Majors.

Analysis of playtexts in reference to the specific challenges faced by actors, directors, designers, and dramaturgs. Note: Restricted to BA Drama Majors, BA (Honors) Drama students, and BEd (Secondary) Drama majors, or admission by consent of Department based on successful completion of Drama 30 or equivalent. Not to be taken by students with credit in DRAMA 102.

An introduction to the process of making theatre, with emphasis on performance skills, dramatic form, theatre and performance vocabulary. Note: Designed for students with a range of previous background in Drama, from no experience to some. Not to be taken by BA Drama majors, BA (Honors) Drama students, or BEd (Secondary) Drama Majors.

Dramatic improvisation as an introduction to the process of acting and to dramatic form. Prerequisite: consent of Department. Note: Restricted to BA Drama Majors, BA (Honors) Drama students, BEd (Secondary) Drama Majors, and BFA (Technical Theatre; Stage Management) students, or admission by consent of Department based on successful completion of Drama 30 or equivalent. Note: Not to be taken by students with credit in DRAMA 149.

Analysis of theatrical performance through a range of live and recorded examples using theoretical and critical approaches. Prerequisites: one of Drama 101, 102, or 103, or consent of department. Note: Priority will be given to BA Drama Majors, BA (Honors) Drama students, BEd (Secondary) Drama Majors and Minors.

The development of world theatre from antiquity to the end of the 18th century. Prerequisite: DRAMA 101 or 102 or 103 or consent of Department. Note: Required for BA Drama Majors and BA (Honors) Drama students. Priority will be given to BA Drama Majors, BA (Honors) Drama students, BFA Drama students, BEd (Secondary) Drama Majors and Minors.

Vocal technique and speech for rehearsal and performance. Prerequisite: one of DRAMA 102 or 103; and one of 149 or 150; or consent of Department. Note: Restricted to BA Drama Majors, BA (Honors) Drama students, and BEd (Secondary) Drama Majors.

Practice-based development of the skills required to create dynamic and engaging presentations in a variety of formats. Note: Not to be taken by BA Drama majors, BA (Honors) Drama students, or BEd (Secondary) Drama Majors.

Study of acting, including the analysis and enactment of scripted scenes, and characterization. Prerequisites: one of DRAMA 102 or 103 and one of 149 or 150; or consent of Department. Note: Priority will be given to BA Drama Majors, BA (Honors) Drama students, and BEd (Secondary) Drama Majors and Minors. Not to be taken by students with credit in DRAMA 353.

Practice in and theory of the collaborative development of dramatic performance using improvisation and other techniques. Prerequisites: DRAMA 102 or 103, and 149 or 150 or consent of Department. Note: Priority given to BA Drama Majors, BA (Honors) Drama students, and BEd (Secondary) Drama Majors. Not to be taken by students with credit in DRAMA 249 or 359.

Study and practice of design for the theatre. Prerequisite: A Stagecraft course and consent of the department. Not to be taken by students with credit in T Des 270.

Theatre production processes, stagecraft, design, project management, health and safety. Note: Priority given to BA Drama Majors, BA (Honors) Drama students, BA/BEd Combined and BEd (Secondary) Drama Majors and Minors.

Practicum experience in Lighting Hang and Focus and Scenic Paint.

Practicum experience in Lighting Hang and Focus and Scenic Paint.

Fundamentals of Theatre Lighting and Sound. Note: Normally restricted to BFA in Drama (Production) students. Prerequisite: consent of Department.

Advanced learning in Theatre Lighting and Sound. Note: Normally restricted to BFA in Drama (Production): Stage Management and Technical Production students. Prerequisite: DRAMA 291 and consent of Department.

Note: Normally restricted to BFA in Drama (Production): Design and Technical Production students. Prerequisite: consent of Department.

Note: Normally restricted to BFA in Drama (Production): Stage Management and Technical Production students. Prerequisite: DRAMA 296 and consent of Department.

Fundamentals of Theatre Production Management and Technical Direction. Note: Normally restricted to BFA in Drama (Production): Stage Management and Technical Production students. Prerequisites: DRAMA 296 and consent of Department.

Development in Canadian theatre and drama since 1967. Note: Not to be taken by students with credit in DRAMA 403.

Critical theories from Aristotle to Artaud. Pre- or corequisite: DRAMA 308 or consent of Department. Note: Required for BA (Honors) Drama students.

Prerequisite: consent of Department.

The evolution of Modernism in the dramatic text, performance, and staging practices from the early 19th century to Epic Theatre. Note: Required for BA Drama Majors and BA (Honors) Drama students.

The practice and development of Indigenous theatre in Canada, with a focus on contemporary work.

A study of the theory, practice and development of popular, community and collective theatre. Recommended for students who intend to enroll in DRAMA 427.

An introduction to the use of improvisational movement in the creation of physical theatre. Prerequisite: DRAMA 259 or consent of the Department. Note: Priority will be given to BA Drama Majors, BA (Honors) Drama students, and BEd (Secondary) Drama Majors.

Techniques in ballet and period style for the actor. Exploration of creative forms of movement and the physical self in characterization. Note: Restricted to BFA (Acting) students.

Techniques in ballet and period style for the actor. Exploration of creative forms of movement and the physical self in characterization. Note: Restricted to BFA (Acting) students.

Restricted to BFA (Acting) students. This is a credit-fail course.

Restricted to BFA (Acting) students. This is a credit-fail course.

Introduction to voice and speech improvement; oral interpretation; exploration of the voice for characterization; singing. Note: Restricted to BFA (Acting) students.

Introduction to voice and speech improvement; oral interpretation; exploration of the voice for characterization; singing. Note: Restricted to BFA (Acting) students.

Note: Restricted to BFA (Acting) students. This is a credit-fail course.

Note: Restricted to BFA (Acting) students. This is a credit-fail course.

Note: Restricted to BFA (Acting) students.

Note: Restricted to BFA (Acting) students.

Development of the self as the fundamental instrument of the actor. Introduction to script analysis and scene study. Note: Restricted to BFA (Acting) students.

Acting exercises based on the study of plays emphasizing complexity of language and characterization. Prerequisites: DRAMA 102 or 103, and 240 and 257, and one of DRAMA 208, 302, 306, 308 or 312; or consent of Department.

Script analysis, characterization, and the laboratory exploration of scenes and/or plays drawn from Realism. Prerequisite: DRAMA 356. Note: Restricted to BFA (Acting) students.

Study of and practice in the creation of a play for the theatre. Prerequisite: DRAMA 101 or one of DRAMA 102, 103, 149, or 150 or consent of Department.

Practicum experience in Design, Stage Management or Technical Production for In-House Practicums other than Studio Theatre or Bleviss Laboratory Theatre Productions /or Community Engagement in Production. Prerequisite: consent of Department.

Practicum experience in Design, Stage Management or Technical Production for In-House Practicums other than Studio Theatre or Bleviss Laboratory Theatre Productions /or Community Engagement in Production. Prerequisite: consent of Department.

Fundamentals of directing explored through practical exercises. Prerequisite: DRAMA 257 or consent of Department. Note: Priority given to BA Drama Majors, BA (Honors) Drama students, BEd (Secondary) Drama Majors, and BFA (Production) Design Route; Stage Management; Technical Production students.

Technical theatre practice. Preparation and running of the production aspects of Departmental plays. Prerequisite: DRAMA 279 or consent of Department.

Production experience in stage managing and/or technical theatre with qualified technical experts. Prerequisite: DRAMA 391, or consent of Department.

Production experience in stage managing and/or technical theatre with qualified technical experts. Prerequisite: DRAMA 391, or consent of Department.

Production organization; experience in running of a play in performance. Restricted to BFA (Acting) students. A required non-credit course.

Theory and practical application of audio equipment and sound design for the theatre. Note: Restricted to BFA (Production) Technical Production students.

Stage Management experience in the preparation for and/or the running of a production for performance. Note: Restricted to BFA in Drama (Production): Stage Management students.

Stage Management experience in the preparation for and/or the running of a production for performance. Note: Restricted to BFA in Drama (Production): Stage Management students.

Stage Management experience in the preparation for and/or the running of a production for performance. Note: Restricted to BFA in Drama (Production): Stage Management students.

Exploration of dramatic text using exercises devoted to the coordination of the actor's voice, speech and movement. Restricted to BFA (Acting) students. Course grading criterion is in terms of 'credit/non-credit' only.

Exploration of dramatic text using exercises devoted to the coordination of the actor's voice, speech and movement. Restricted to BFA (Acting) students. Course grading criterion is in terms of 'credit/non-credit' only.

Prerequisite: DRAMA 306. Note: Required for BA (Honors) students.

Prerequisite: DRAMA 401.

Modernist to contemporary theories applied to dramatic texts in performance. Prerequisite: consent of Department. Note: Required for BA (Honors) Drama students.

May require payment of additional student instructional support fees. Refer to the Tuition and Fees page in the University Regulations section of the Calendar. Prerequisite: consent of Department.

Exploration of issues and trends of theatre movements which form the mosaic of contemporary theatre. Prerequisite: One of DRAMA 208, 302, 306, 308 or 312, or consent of Department.

Theory and practice of theatre developed for and with specific communities. Prerequisite: Consent of the Department. Drama 327 is recommended.

Studies of, and projects in styles of movement and dance, both period and contemporary. Prerequisite: DRAMA 334. Note: Restricted to BFA (Acting) students.

Studies of, and projects in styles of movement and dance, both period and contemporary. Prerequisite: DRAMA 334. Note: Restricted to BFA (Acting) students.

Note: Restricted to BFA (Acting) students. This is a credit-fail course.

Note: Restricted to BFA (Acting) students. This is a credit-fail course.

Extension of the voice; sight reading, oral interpretation of period dramatic forms; singing. Prerequisite: DRAMA 344. Note: Restricted to BFA (Acting) students.

Extension of the voice; sight reading, oral interpretation of period dramatic forms; singing. Prerequisite: DRAMA 344. Note: Restricted to BFA (Acting) students.

Note: Restricted to BFA (Acting) students. This is a credit-fail course.

Note: Restricted to BFA (Acting) students. This is a credit-fail course.

Advanced theatrical tools to create and present original solo performance. Prerequisite: DRAMA 257 and 259, or consent of Department.

The exploration and practice of physical comedy styles through clown, bouffon, and mask. Prerequisite: DRAMA 259 or consent of Department.

Exploration, practice, and experimentation in performer-created theatre. Prerequisite: DRAMA 259 or consent of Department.

Note: Restricted to BFA (Acting) students.

Note: Restricted to BFA (Acting) students.

Studies in characterization leading to laboratory performance. Prerequisite: DRAMA 358. Note: Restricted to BFA (Acting) students.

Research, rehearsal, design, staging and presentation of a play by an acting ensemble. Prerequisites: DRAMA 357 and 391, one of DRAMA 208, 302, 306, 308 or 312, and consent of Department.

Study of, and practice in, the main period styles of acting. Prerequisite: DRAMA 456. Note: Restricted to BFA (Acting) students.

Developing the director's creative use of the elements of directing through practical exercises in scripted scenes. Prerequisites: DRAMA 102 or 103, 383 and 391, or consent of Department.